Cocolera

With the election of Evo Morales in Bolivia, a figurative circle has been completed in the Latin American region; the indigenous peoples have come back into the power that was stripped of them hundreds of years ago. They are no longer under the power of the Spanish and European descended individuals, they have popularly elected a man that represented the beliefs and desires that they have wanted for centuries. The film, Cocolera, details this plight and triumph for the native peoples through the Bolivian election, exhibiting how the indigenous were able to gain the greatest victory in Latin American history.

“Native people have been living in the sierra for ten thousand years” (Fields 40), is a statement that clearly shows the rightful control over land in Latin America. However, even though the natives established a community and their own political structure in the area, the European invaders felt as though their divine right for expansion was reason enough to conquer and claim the new land. By overpowering the native tribes, the invaders “forcibly settled indigenous farmers in colonial towns and instituted a labor draft” (40) in order to exploit natural resources for Europe’s gain, rather than for the native country itself. In modern day Latin America, especially in Bolivia, the natural resources continue to be primarily for foreign markets, harvested by indigenous-descendant peoples.

A primary issue involving the indigenous peoples and their constant fight with the foreign government that controls their countries is the politically correct wording of requests. The people publicly protest and show their desires for wanting the land that was unrightfully taken from them centuries ago, but the governments have maintained control through the simple use of wording that they place in the indigenous peoples’ mouths. Even though the people have requested control over the “territory” that supposedly belonged to the native Indian tribes, but the politically correct wording from the government prevents the transfer of land. “The debate over these terms was a struggle over meaning, legitimacy, history, and identity” (Sawyer 77) as the government stated that they did not distribute “territory,” only land to “ethnic” people instead of natives. These blatant words keep an oppressive government in complete control over the people, using the obvious prejudices they have for the people they consider low. In Suzana Sawyer’s article, she clearly states how the country of Ecuador had oppressed the indigenous peoples by stereotyping them as unproductive people, refusing to harvest the forests even though the country boasts itself as an “Amazonian country” (76).

Evo Morales was clearly the underdog in the elections, running for and representing a people that were considered to be naturally “below” the foreign descendants of the Europeans that had long ago invaded the area. However, by representing the farmers and poverty-stricken people of Bolivia, he gained a great advantage that his opponent did not have; popularity. A majority of the people in the country felt as though Morales represented the in all ways possible, heritage wise and politically wise. He experienced what is felt like to be a farmer and depending on his harvest for survival, and he also experienced what it felt like to get the short end of the stick in political decisions by people that truly did not know their issues. Overall, Morales victory brings the line into a complete circle, and the true people come into power once more.

Our Brand Is Crisis

Through the recent study of American involvement in Latin America, it comes no surprise to any witness that the United States would play such an influential role in the 2002 political elections in Bolivia, as documented in the film, Our Brand is Crisis. The United States has made it known that it would desire for poorer countries to provide for their needs, financially and economically, and Bolivia is a prime target for such desires. As the Greenville Carville Shrum consulting firm strongly influences the election from the background, the issues that plague the developing country take the spotlight in the film. The American chosen candidate fully exploited and abused his country in order to satisfy his foreign investors, ignoring the needs of his people in favor of outsourcing the country’s primary economic factors to neighboring countries or to the United States itself.
The hypocritical nature of Americans teaches the GCS’ election runner, Gonzalo Sanchez De Lozado, the proper techniques to exploiting the working man to their advantage. As observed by James Cypher in his article, “The Slow Death of the Washington Consensus on Latin America,” the inhabitants of Bolivia became dependent on the harvesting of “mining, petroleum/petrochemical, agricultural, fishing, and timber operations” (47). While the general labor workers of the area are unaware of the proper wages for the tasks they perform to attain these natural resources, politicians like Lozado and those in the United States use their quick-witted techniques to exploit the people. The ignorance of the poor leaves them unaware of the inequality and mistreatment they receive on a daily business, because their governmental representatives support the sale of natural gas through Chile. Business transactions through a third party remove the wealth from the Bolivian economy, but politicians agree that the outsourcing of employment would benefit the country in the long-term. Similar to companies from the United States, outsourcing only depletes employment and removes wealth gradually over time.
The only country that receives the benefits of these countries’ economical decisions is the United States. Lozado, previously born in the Washington, valued the “free market” and capitalism. According to John Perkins in “Confessions of an Economic Hitman,” hitmen are taught to utilize their skills to influence a country’s economy for the benefit for the most powerful nation in the world. Developing countries, like Bolivia, are easily convinced to invest their financial wealth in foreign markets. The basic lesson a economic hitman will teach: “to become part of a vast network that promotes U.S. commercial interest” (Perkins 9). The main focus of hundreds of countries is to continue empowering the United States as opposed to increasing their economic condition. Lozado seemed to be the perfect student for the economic hitman, successfully emulating their teachings through the use of his type of capitalism. He may have won the election, but his heavy taxation of the poorest individuals within the country in order to provide more money for foreigners left him in bad favor. His retirement would soon come in 2003, after the country voiced their disproval with his policies. However, after viewing the film, it becomes evident that Latin America’s economic success is related to the investment of the United States.

Our Lady of the Assassins

In the modern era of Latin America, society handles their situations with similar methods as past centuries; pure and unadulterated violence. If a person angers another individual or if they are in dire need of money, a simple act of violence will be able to cure the current situation at hand. Adolescents commit murder without remorse and either receives the vengeance or payment they desired. In the film, La Virgen de los Sicarios, the issue of the unimaginable amount of homicides in the vicinity of Medillin, Columbia after the downfall of the mob boss, Pablo Escobar. Without Escobar’s financial support and protection, his hitmen formed gangs and began to war with themselves in retribution for past homicides against one another.
While the dominant storyline in the movie revolved around the illicit love affair between an older gentleman and his underage, male lover, the forces of Columbian culture was the deciding factor of the survival of their relationship. Alexis, the teenage boy, is the prime example of a tool within the culture. Drug trafficking remained a large income for private Columbians after decades of continued trade with the United States. According to Forrest Hylton’s article Evil Hour in Colombia, the majority of the national wealth went straight to the “5 percent of the population who owned more than half the land” (61). The social imbalance between the classes further increases the drug trafficking, because the private ownership of the land increases the farming of cocoa, poppy, and marijuana plants.
As stated by Ricardo Vargas in State, Esprit Mafioso, and Armed Conflict in Colombia, the levels of society are dependent on the financial income of individuals. If a majority of the income go to just five percent of a population of several million people, that leaves ninety-five percent of the population at the poverty level of society. As seen in Alexis’ family home, poverty for the average peasant included a small apartment with one bed to fit an entire family. Without financial success, exclusion from the political world continues to further the oppression of people stricken with poverty and leaves them with very little opportunity to improve their conditions.
As people are unable to attain proper work and financial success, adolescents form into gangs to attempt making a quick buck with simple work. The gangs of Medillin were thugs that managed to get their hands on some powerful guns and motorbikes. Their financers were able to capitalize on the political confusion from the constant changing of government leaders. During this time, drug traffickers were able to fly under the radar in order to successfully ship to the United States.
While the homosexual relationship itself had a difficult time surviving due to its illicit nature, a similar relationship between a man and a woman in a similar situation would more than likely be influenced by Columbian culture. While the older gentleman lost both of his teenage lovers to the careless violence in Medillin, his control of the situation was out of his hands before his return to the city. While he spent time with his lovers under the light of the fireworks, his relationships came to an end with every explosion.

Cocaine Cowboys

While the streets of an average city seem to be safe and well-patrolled by the authorities, the true nature behind closed doors could ruin a city’s reputation in a heartbeat. In the 2006 documentary, Cocaine Cowboys, the well thought out and organized drug circles in the Miami area of Florida and Columbia become the scene of extraordinary violence that shocks the nation. In normal situations, homicides are considered to be abnormal, but for the people of Miami in the 1970’s and 1980’s, a homicide was a daily ritual for a residential neighborhood in the war zone.
The beginning of the documentary viewed the transition between two recreational drugs, marijuana and cocaine, as the chief drug trades between the southern tip of Florida and Latin America (primarily the Columbia and Cuba territories). The United States is the prime target of traffickers since the population was considered to be the largest consumers of prohibited substances, which it has been for the past several decades in the recent century.
Methods of transporting the substances across borders have become quite ingenious in their creativity. Coletta Youngers cites in her article, “traffickers have adapted quickly to drug control strategies, developing new methods and routes to circumvent detection” (128). This is quickly observed by the strategies developed by Jon Roberts and Mickey Munday, who were active transporters of cocaine in the height of trafficking. Roberts’ methods included owning several properties and willing participants to complete trades, while Munday preferred to fly his own plane up the west coast of Florida and using a towing truck to transport the drugs into the Miami area.
Another issue related to the cocaine drug trade, other than the massive amount of violence as a result of rival sources, was the abundance of law corruption from the patrol officers to lawyers. Stated in the documentary, cocaine was not for the common American in the beginning of the drug transition. The majority of the consumers of cocaine were middle and upper class citizens who were involved with influential careers. According to CIA documents, the United States’ government easily saw the benefits of utilizing illegal drug money as a way to finance their goals, such as the case of the Contras in Nicaragua. Drug money was a prime way of financing military and authority plans, since it would be collected without placing any unnecessary taxes on the population. An opinion that a politician would have using such corruption would be that the money would go to waste being held in evidence areas, such as when Oliver North desired to use confiscated money for the Contras.
As viewed in Bus 174, police authorities were once again being questioned by the public for their involvement in questionable areas. While the people recognized that drug dealers and traffickers were bad influences on society, corrupt police officers were worse because of their authority. Eventually, when the war between the Cocaine Cowboys was at its most dangerous, any man could be hired as a police officer, increasing in the potential of corruption. While the few proper officers were able to catch a majority of the corrupt officers, the trust between the common citizen and authorities has remained fragile of the decades.

Bus 174

As previously discussed in the issue of violence and crime in Latin American communities in Cidades De Deus, the conditions of the impoverish youth brought forth a large amount of negative actions in response. In the documentary Bus 174, the problems surrounding the mistreatment of Latin America’s street kids by the middle to upper class people comes to the forefront of the public eye when a young man holds a bus full of people hostage. The police force at the time also comes under scrutiny with their inability to properly control and handle the situation presented to them.
Sandro, the gun-wielding maniac as portrayed by the public, gains the sympathy of the audience as the documentary investigates his background. When wealthier citizens would ignore him as a street child, they did not realize his psychological damage brought forth by witnessing his mother’s murder. When the police would arrest him as a teenager for theft, they did not realize that he only stole because he could not attain a job because of the discrimination against the street kids.
In comparison, also blurring the lines of who is truly the victim of Latin America’s society, Alberto Ramos describes a situation in his essay, The Drive-By Victim. The initial response of the reader is that the man being held hostage by the thieves is the true victim. However, after hearing their story detailing a friend in dire need of medical assistance, the audience is forced to question which of the two is the victim. In Latin America, people like Sandro continue to exist despite the government’s attempts to erase their presence.
According to Alma Guillermoprieto, Mexicans realized that the value of a Mexican citizen has decreased with the introduction of American influences within their boundaries in The Heart that Bleeds. For an impoverished individual living in the slums of their city with thousands of other people, who are also considered to be worthless, life was not considered to have any value itself. Sandro himself understood this concept, as he told the passengers on Bus 174 that he had “nothing to live for” when the girls explained to him that he will be shot and killed by the waiting SWAT force outside. The only thing that Sandro himself fought for was the public admittance that he and his people were mistreated by the police force and the middle to upper class people who continued to ignore the big, fat elephant in the room: how they would rather ignore the cries for help by the impoverished than acknowledge them. Yelling out the window continuously, Sandro made references to the Candelaria Cathedral Massacre that had taken away several of his “family.”
As of today, very little has been done for the awareness of the impoverished class of people in Latin American communities. Street kids continue to annoy commuters with their impromptu performances at stoplights in order to earn change for food. The police force is still an amateur group of individuals that does not understand the importance of proper protocol, and the government officials continue to maintain a public image that damages the invisible people of the streets.

Cidade de Deus

Similar to other nations in the world, Latin America deals with the issue of depressed areas that are affected by the presence of violence and crime. Portrayed in Cidade de Deus, a 2002 film, the favelas was the host of the social problems influencing the lower class inhabitants of suburban Latin America, such as the main character, Rocket. Dealing with the daily issues of gangs and drugs, the characters are stuck playing roles that their lifestyle enforces.
Easily described by Julio César Pino, “Favelados have served the city of Rio de Janeiro in every imaginable capacity, but when their services were no longer required they have been discarded like rotten fruit” (Pg. 1). The neighborhoods that Lil’ Z and Benny resided in benefited from the financial success of all the criminal activities, even though the cities were willing discard them as soon as their services were completed.
Employment was questionable in the favelas. People had a difficult time finding employment in the area, especially jobs that were permanent and stable. Monetary stability is a human need for survival, and without a financial income families were likely to suffer the consequences (starvation, poor living conditions, etc.). A job opportunity was scarce in that era for Latin Americans, and the only probability of attaining a stable job was living in an area where a staple crop was grown. Described by Pinot, when a favela is placed near a staple crop, the employment stability greatly increases as economic issues decrease. However, the financial income was still small in comparison to much more successful cities, as inhabitants reported “an average income of Cr$245 per household” (Pg. 24). Imagine how a family of five people can survive on such a meager income.
To further comprehend the issues of the favelas in Latin America, Ney dos Santos Oliviera describes how the neighborhood was different from the slums of New York City. In North America, the ghettos were formed by the whites seeking refuge from the overpopulation of the city limits. They faced the politics that were enforced by the upper class, dealing with unreasonable housing prices that forced Americans closer to poverty and criminal acts. In a favela, people moved to the area due to the attraction of finding work. They came to the favelas with a purpose of improving their lives, but were faced with the reality of living in an impoverished area.
However the favelas did their best when dealing with the political interests of its inhabitants compared to the ghettos of New York City. Similar to North America, the progressive blacks were the leaders of the impoverished areas, but their rise to what little power they attained was through different methods. “In Brazil much of the progressive black political leadership that achieved political office arose from the community-based movement, while in the United States it arose from the civil rights movement” (pg. 84), according to Oliviera. The issue of equality was not the motivation for the political representation, but rather the need for the lifestyle improvement for the community as a whole.
The main issue of the favela was the survival of the community as a whole. The people performed whatever jobs they could attain, whether they were legal or not, in hopes of one day attaining an appropriate lifestyle.

Soy Cuba

Propaganda through film has always been a significant tool for political leaders since the beginning of the film industry. By highlighting the proper material and degrading the opposition, an audience can be easily influenced. In Soy Cuba (or I Am Cuba in a simple Spanish to English translation), the Russian director, Mikhail Kalatozov depicts the pre-revolutionized Cuba as a capitalist-centric economy, heavily manipulated by the United States. After viewing the distinct chapters of the movie, the nationalist and communist visions for Cuba become apparent to the audience.

According to John Chasteen in Born in Blood and Fire, Cubans’ ideologies were centralized around the notions of nationalism and Marxism, which were in opposition of the America’s presence of capitalism. With the frequent appearance of Marxism in the majority of the Cuban population that did not benefit from the capitalist economy, the Anti-United States attitude began to increase while Fidel Castro slowly gained power through his promises of reform.

While the movie depicts Americans as collecting all the wealth on the island, Susan Eckstein makes note that Cuba was not a poor country. On a ranking system, Cuba is a highly competitive economy in the Latin American region due to the sugar cane production and the budding tourism industry. However, Eckstein clearly states that, “foreign capital, above all United States capital, played a major role both in agriculture and in industry.” The role of the United States in every day Cuban life was borderline dominant before the revolution.

Kalatozov utilizes his movie for a call to nationalism and the removal of capitalism. With the title, Soy Cuba, a sense of citizenship is developed, declining the boundaries of wealth and race. Everyone that felt oppressed by the government regime of the current leader of the time, Batista, should unite in order for Cubans to progress into an independent nation, instead of relying on the United States to dominate the land. According to Alejandro de la Fuente, a sense of unity was a common goal for Cuban reformers, rather than attempting to overthrow the government in individual groups. The idea of unity gave Castro popularity he needed to gain a popular majority favor with Cubans.

The influential material in the film also provided several symbolisms for the case of anti-United States and anti-capitalism. In the first chapter, a young woman would earn her living through entertaining American men. At the climax of the chapter, after she sleeps with the tourist and unwillingly sells her crucifix to the man (due to her small understanding of English), the scene could be interpreted as the United States taking advantage of Cubans. In the final portion of that chapter, the tourist is faced with the reality of poor Cubans, having to search through an underprivileged neighborhood for a way out. However, he turns a blind eye, ignoring the beggars in order to find his own way, symbolizing how the United States was aware of the condition of Cubans but turned a blind eye in order to keep accumulating income.

Gabriela (Best Theme Song Ever)

While romanticized in brilliant, daytime shows, “crimes of passion” were common occurrences in pre-modern areas of the world, such as Latin America in the early 20^th century. Defined on The Free Dictionary website, a “crime of passion” is considered to be “a defendant's excuse for committing a crime due to sudden anger or heartbreak, in order to eliminate the element of ‘premeditation.’” In the film, Gabriela, the idea of “crimes of passion” lays the undertone of the movie’s plot as the relationship between a bar owner, Nacib, and his mistress, Gabriella, begins to heat up during the transition of Latin America towards a progressive future. 

According to Susan Besse, a crime of passion was as public a sight in Latin America before “positivism” occurred in the legislature. Men would normally slaughter an adulterous wife as a rational solution for their situation. Latin American men treasured their pride and reputation far more than their feelings for their wives, exhibiting how the gender role for women was considered to be unequal to that of a man. A primary example of women being considered unequal in the movie is when an adulterous woman gives her secret lover money in order to buy shoes, so that he “may always think of walking all over her.” Women were satisfied with the hegemony between themselves in men, accepting their status as long as they’re provided for in material possessions. In the film, Nacib and his bar patrons agree that a husband is justified in killing his cheating wife, rather than allowing the embarrassment to harm his reputation as a man. As Sueann Caulfield describes, the status of family honor is placed on a pedestal in Latin American society, and wives were used to uphold the status of their husbands. Throughout the film, it is commonly seen for men to take women of a wealthy status as their wives, in order to increase their own status. 

The threat of receiving ridicule from his peers drives men to commit murder against unfaithful wives, exhibiting the failure of a woman’s duty to instill a moral conduct in the men, according to Caulfield. Traditional belief that while the men were the considered to be the more aggressive type gender of the two, it was the responsibility of a woman to teach the indecency of homicide. Thus, when the Colonel murdered his wife in the beginning of the film, the wife could be considered the true criminal of the two for failing to teach her husband that homicide is wrong. 

However, two acts in the film highlight the transition from traditional beliefs in Latin America towards a progressive era. The first, Nacib agrees to marry Gabriela on the basis of love rather than for a wealthier status. While arguing against the idea of marriage beforehand, saying that his mistress had no dowry or authentic citizenship, the bar owner decides he would rather be married to Gabriela because he loves the woman. The second act, at the climax of the film, Nacib does not kill the adulterous Gabriela. The positivism is slowly affecting the Latin American area, as the need to apply justification to murders becomes apparent. The Colonel who earlier slaughtered his wife receives his punishment, while Nacib is not ridiculed for sparing Gabriela.

Just a Random Fact For The Day

I personally feel like crying today. Just sitting in my room, and crying for an exceptionally long time, just because I can. Have you ever had a day like that?

Have you ever noticed...

Personally, in my own personal opinion, I honestly believe that some people hold off on having bad news until you are completely swamped with projects to complete, such as trying to finish two assignments after having a 7 hour shift at work. You know, when you're already stressed enough about your school work and having to graduate in May.

I mean seriously, Mom and Sister, it wouldn't hurt sometimes to just casually mention that Dad went to the ER perhaps before I begin to stress over my work, and wait till this afternoon after I turn in all my work? You know that I'm dealing with a bunch of stuff on my plate, so I would honestly appreciate you realizing I don't do well in school when I'm too busy stressing.

All last summer, every time I had a paper due in one of my classes, someone would pop up and make me stress just as I was trying to type the paper. Last semester, I ended up in the hospital with pneumonia and such. Now, I have to deal with my Dad, Grandpa, and Grandma. Like seriously people, I'm trying to graduate here. I'm not trying to be selfish, but you just got to stop complaining about my grades when you're loading all this stress onto my shoulders.

La Última Cena

Based on historical events, La Última Cena (The Last Super) depicts the treatment of African American slaves during the 18^th and 19^th centuries when Cuba became a leading sugar production area in the global market. While not a historical documentary, the movie exhibits real social problems that affected the inhabitants of Cuba of the time period. The issues of racism and oppression of the African slaves are highlighted throughout the film as viewers are able to observe the labor conditions, treatment, and punishment of insubordinate slaves (i.e. Sebastian) by their European master and a Hispanic overseer.

The Havana sugar mill’s main purpose was to produce a substantial amount of income for the Count and the mill’s overseer, Don Manuel. The consideration of a slave’s accommodations at the mill was not in the forefront of the Count’s mind, even after viewing the poor conditions of the mill in a tour. According the Shultz’s article, detailing a discussion of African slaves becoming legal citizens, the educated elite describe Africans as “harmful members of society for which they are a burden” (Shultz 31). A typical African individual, free or bonded into slavery, was considered unworthy of equal citizenship to the Europeans or native peoples. The Count, from his education and the influential social customs of his peers, blindly follows the tradition of believing that the most practical use of a slave is as a tool for his mill instead of a free man. Their existence in the sugar mills is to complete a job, nothing more or less. Similar to the Europeans, Don Manuel dominates on the use of African slavery, despite his status as a Hispanic man, and he requests the Count purchase more slaves to produce sugar at a quicker pace.

However, an underlying issue is presented as the film progresses: the religious sanction of slavery and the justification of the institution. While Don Manuel’s evil intentions for the slaves are obvious to the viewers of the films, the priest living on the sugar mill utilizes his education to continue slavery in the area. The bondage of another human being is considered to be sinful, but the priest manages to validate the bondage using religion has an acceptable reason. According the Mraz’s article, “a priest works assiduously for the ruling class, endeavoring to persuade the slaves that their lot is tolerable and just” (Mraz 112). In the film, the priest and the Count explain to the chosen 12 slaves that they can only attain their true happiness through the difficulties of harsh labor opposed to living a life freely outside the mill. The justification is thus further proven when an elderly slave is granted freedom by the Count at the dinner, but is unable to leave the mill due to his inability of finding a new home.

The African slaves at the sugar mill are continuously taught that their harsh labor will give them true happiness after their deaths, however, after being denied a holiday off from work, the slaves rebel in a violent manner. While racism and oppression are easily perceived by the viewers, the justification of slavery through religion drives the main plot of the film. While the Count continuously states that he supplies the slaves with the religious means on attaining happiness, his main concern is attaining income from the mill and not providing proper accommodations for the African slaves.

To that Special Fella

In regards to my last post:

Baby, I know you said something stupid and you feel incredibly guilty about it, I LOVE YOU.

Just remember, ever since birth control pills, I cry over anything, so don't worry about it some much.

<3


Emma Lee

Not School Related - Boys have competitions for who is dumber

Yes, the title says it all. I honestly believe that boys stand there and try to figure out who can say the dumbest material just to piss off their lady friends. C'mon boys! I'm sure you realize that when you piss off a lady it's a lose-lose situation for all involved. Just don't say that stupid joke, or that comment about her weight, and you'll be living the high life with her after that dinner and a movie date.

Wo what, if a girl complains about her weight and doesn't go to the gym. Just don't tell her "Well, why don't you quit since you're obviously not serious about it." Why? That's just asking for her to get pissed at you and to try and rip your head off through the phone. Trust me, my boyfriend figured it out the hard way, stupid comments are not appreciated at all by anyone involved.

So you fellows may be looking at me like I'm on this ginormous pedastal, preaching to the choir about how women have feelings and that men consistently insult their feelings. Well, it's mostly true. Men always have the habit of ruining the mood with their outspoken thoughts. So here's a little bit advice for men who are looking to get lucky: smile and nod.


Emma Lee

Professors who warn students just a tad too late....

Oh dear lord, if you are a professor and you cancel a class due to an unforeseen illness, try to warn us as soon as possible so that we may check our e-mail and not have to rush in the morning to get to your class.

Because seriously, I just woke up late and ran to your classroom, only to find out by logging onto my laptop there that you sent out your class cancellation about 10 minutes earlier. Like what the frack, professor, what the frack!


I'm sure you're not happy with me either, professor. I'm the student that doesn't check her e-mail every five minutes to make sure there isn't some new update that I have missed. Well, I have a ghetto phone that has limited access to the internet and I can't exactly log onto my laptop as I'm walking down the sidewalk from my apartment to the classroom. So don't try going and blaming my poorness or my inability to multi-task while walking on this. I'm angry at you and you only, Mr. Professor.

By the way, I really do hope you get to feeling better from this illness. It sucks having a cold the first few weeks of class, cause then you'll never be able to catch up.




Emma Lee

To be the first of several weeks worth....

Hello professor, teaching assistants, and my peers!

I just finished managing to set up my blog (which is quite different from the old blog format of Myspace if anyone can remember that phase) and I've decided to celebrate the only way I know how: coffee. I think the Starbucks on campus have definitely gone down in quality, but that's just my opinion. But it's awesome how I'm the only one who orders a cold beverage so my order is quick to deliver, instead of waiting behind every hip or scene kid that wants that darn hot peppermint mocha. Who the hell wants to drink peppermint anyway?

By the way, I have already found my project group. Unknowningly, 4 of my peers from my History 499 seminar class have also decided to bless their presence in History 475 and, dare I say it, I am grateful. Now I don't have to bother with that nasty "Hello... I don't know you but I would like for you to trust your grade in my irresponsible hands" moment.

Oh darn, look at the time. I must run. Maybe I'll use this thing as a comfortable outlet for my rage regarding classes. Or maybe I'll just ignore it until I have to complete my assigned blogs. Eh.


Emma Lee
(Emily Allsbrook)